crow gets the blues
My work as a glass artist moves between small scale freestanding sculpture, and large scale commercial architectural glass installations.
My main interest is in the traditional method of glass painting and staining, mixed with the exploration of surface treatments through sandblasting and kilnforming.
The themes that inform my work are universal, but frequently deal with issues relating to my sense of belonging, and response to northern light, and the Scottish landscape.
I am particularly interested in documenting themes relating to the rapid physical change currently taking place geographically along the Clyde coastline.